Activity Details
Cluster Level Kala Utsav -2022-23
Kala Utsav aims at nurturing and showcasing the artistic talent of school students at the secondary stage in the country. District/State/National Level Utsav is structured as an art festival which includes performances and display of exhibits, which play a major role in creating awareness of India’s rich cultural heritage and its vibrant diversity in line with ‘Ek Bharat Shreshtha Bharat’. Our school hosted the Cluster Level Kala Utsav -2022 wherein 17 schools participated in 20 different cultural competitions. Students were trained for Kala Utsav-2022 in various categories- Classical Music, Classical Dance, Musical Instrument, Folk Song, Folk Dance, Drama (Solo Act), Painting, Sculpture Making and Indigenous Toy Making. One of our students, Mast.Sree Vishnu Vardhan ( XII) got selected at the National Level Kala Utsav in Instrumental Music ( Percussion). At the Regional Level Kala Utsav-2022, Mast. Vivek(XII) was selected for Drama (Solo Act). Mast. Agnivesh for Classical Instrument ( Melodic), Mast.Abhiram (X) for Traditional Folk Song and Mast.Shreyas (X) for Traditional Folk Dance . The Valedictory function of the Cluster Level kala Utsav was presided over by the District Collector of Palakkad, Ms.Mrunmayi Joshi. |
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Ministry of Education- School Education and Literacy - Navodaya Vidyalaya Samiti | |
Jawahar Navodaya Vidyalaya Palakkad | |
Utsavs and Mahotsavs Kala Utsav | |
JNV Palakkad | |
19/09/2022 to 20/09/2022 | |
120 | |
3 | |
View Report |
Images
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WRITE UP DRAMA(SOLO ACT)- MALE Pazhashi Raja Solo drama is an event which portrays a single artist performing a drama that contains only one lead character. Even though the presence of other characters are felt, the drama is depicted from a single character point of view. Therefore, it can only be performed by trained artists who use their acting skills to create an atmosphere of a group of people at a particular instance. Pazhashi Raja is one of the powerfu
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WRITE UP FOLK SONG (MALE) Vannudiche Ninnudiche In older times, folk music was part of “communal recreation”. This means that small communities such as villages or families would relax by playing and singing music together. People would often make up a new song or new piece of music, or make changes to music that they already knew. In this way music was always changing. The raw, uninhibited way of singing, the rustic charm of the lyrics, the sheer energy, the robust rhythm, indigenous inst
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WRITE UP INSTRUMENTAL MUSIC (MELODIC) – Male Valachi Vachi ( Violin) Around 1790, the violin was introduced in India. It was adapted to Carnatic music by Baluswami Dikshitar, brother of the famous composer Muthuswami Dikshitar. Over the course of time, it became an integral part of the concerts as the violin is best suited to the unfettered gliding and wavering gamakas that characterise the Carnatic ragas. Valachi Vachi is the most well-known example of a Navaragamalika. It is a Telugu varnam
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WRITE UP INSTRUMENTAL MUSIC- PERCUSSIVE (MALE) Teentaal Teentaal is the most common taal of Hindustani Classical Music, and is used for drut (fast tempo). It is symmetrical and presents a very simple rhythmic structure against which a performance can be laid. It is played on the Tabla as well as on other percussion instruments. Teentaal has sixteen (16) beats in four equal divisions. The period between every two beats is equal. The first beat out of 16 beats is called sam and the 9th beat is c
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Folk dance is a form of ritualistic entertainment at social gatherings.